Photographed in Dilmunia during golden hour to keep gradients long and highlights clean. Directional evening light was used to control panel reflections and preserve the blue paint’s depth. Doors up hero frames establish symmetry, followed by front and rear three quarters and tight macros of carbon trim, brakes and interior textures. Retouching focused on distraction removal, specular control, and subtle contour shaping while keeping color neutral with a slight sunset warmth. The sequence balances static presence with minimal movement to let the aero and surface quality read clearly.
Shot by Abdullah Nader (Shift Mootark).
